Book Review: Down Among The Sticks & Bones
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Down Among The Sticks & Bones |
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Title: Down Among The Sticks & BonesAuthor: Seanan McGuire
Year Published: 2017
Publisher: Tor
Genre: Fiction, Fantasy, Young Adult
Plot: ā„ā„ā„ā„ā„
Characters: ā„ā„ā„ā„
World Building: ā„ā„ā„ā„ā„
Flow: ā„ā„ā„ā„ā„
Synopsis:
Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor Westās Home for Wayward Children.
This is the story of what happened firstā¦
Jacqueline was her motherās perfect daughterāpolite and quiet, always dressed as a princess. If her mother was sometimes a little strict, itās because crafting the perfect daughter takes discipline.
Jillian was her fatherās perfect daughterāadventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you've got.
They were five when they learned that grown-ups canāt be trusted.
They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.
The very much spoiler-y Review:
This is very different than both the first
and third book in this series, mostly in formatting, however it is by far my
favorite. If you've read any of the other books, they are set at the
school/group home and there are mentions or trips to the 'doorway words'. This
is actually set and takes place mostly in the doorway world, and could be read
completely on its own or as a fairy tale retelling.
Jack and Jill are two ladies we met in
Every Heart a Door Way that are twins who have contrasting personalities. We
learn a little bit about their back story, however there aren't great details.
Mostly that Jill misses her master and loves rare meat and Jack loves science
and hates getting her hands dirty. However these characteristics are blown out
withing Down Among The Sticks & Bones (DMTSAB's for reference). \
What ties this book back to the entire series is the
beginning. We are introduced to Jack & Jill's parents when they decide that
they would like to have children. For any of you that may have strained
relationships with your parents due to unfair or unrealistic expectations
placed on you during your childhood, this will really hit home.
The twinās parents are
very aware of their egoās, to the point that it starts to cripple their family
dynamic. By the time the girls find their doorway at age 12, they arenāt very
close and are pinned to be the opposite of one another. Jack is dressed as a
doll and mommyās perfect little girl, Jill is athletic and daddyās perfect
tom-boy; and the comments from the parentsā peers feed that affirmation that what
they are doing is correct but not understanding any repercussions on their
children. We see how that affects the girls when the twins are met with a
choice in doorway world, or in this specific case the Moor.
There isnāt much world
building in this book, though you could argue that none of these books have a
lot of world building. Technically, itās a series of nonsensical and nonlogical
vs. the complete opposite and how each doorway world is different. In this
aspect alone, I would suggest reading Every Heart a Doorway prior to any of the
rest of the books, especially this one, just because it explains it a little
bit better. Moor, which is the land that the twinās door led them to, is a cornucopia
of traditional horror monsters. There are vampires, werewolves, and Frankenstein;
though they each have their own territory. I believe it was Dr. Bleak specifically
that mentioned that monsters like Master also came through a doorway to Moor.
When we get into the
doorway world, the first character the girls meet is Master, a vampire who
takes these lost children and keeps them in his castle. Dr. Bleak, our Frankenstein,
and Master have an agreement that the next lost child to show up is meant to be
Dr. Bleakās apprentice. However, the fact that there are two girls means Master
will keep the other, Dr. Bleak is meant to have the first pick. What ends up
happening is the girls actually kind of pick their poison if they are to be
stuck in this world.
At this point, I think
the damage caused by the girlsā parents is brought to light a little more than
the slight snark in the dialect. Jack is very much aware that Jill is already
getting attached to the life of living in a castle, especially because Jill has
not been allowed to be girly up until this point. With that knowledge, due to
her version of their upbringing, Master would prefer Jack due to her already
going through life as a doll. Jack cares enough for her sister in at this point
to not want to see her harmed or heartbroken and seeks out Dr. Bleak to choose
him before she no longer has the power to.
During this specific
scene is also the first we get to see of the twinās differing personalities and
traits. Jack does not like grime, especially on her hands and is the more
observing of the two. Jill is all action, choosing to chow down on the food
presented rather than question if itās tainted like Jack does.
The girls separate and
lead different lives. Jill comes off super childish in still believing in her
fairy-tale princess life and taunting others. Her selfish acts of harming those
she finds out are in contact with her sister is gross and clearly an issue of
jealousy bred by her parents and Master. Jack seems to be the story we focus a
little more on, how sheās grown smarter as an apprentice and developed a relationship
with a girl in town.
Once the girls get close
to the age of 18, the story moves a bit more quickly, almost as if it knows it
needs to be under 200 pages to match the rest of the series. It could certainly
have more detail, but at the same time I feel like McGuire was able to paint
this almost traditional horror story very well. The ending where Jill kills
Jackās girlfriend and hides her heart, then Jill is met with the repercussion
of murdering her, and how Jack saves her sister from her impending doom could
almost be a movie plot. In fact, if someone out in the universe is looking to
do a reboot of a Frankenstein/Dracula mash up, this would be a great script.
I canāt find much more
else to express about this book, but at the same time I think any reader
looking to discuss could find themselves in a rabbit hole by diving into the psychological
damage done to these girls. Insecurities in our adolescent years is something
Seanan has really pinpointed in this series and by doing so makes those of us that
can reflect back on this age realize that we werenāt truly alone in feeling the
way we did. Somebody even wrote a book about it.
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